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Craze

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‘Where black magic explodes into murder!’

Craze – also known as The Infernal Idol and Demon Master – is a 1974 British horror film directed by Freddie Francis (The Skull; The Vampire Happening; The Ghoul) from a screenplay co-written by producer Herman Cohen (Berserk; Trog) and Aben Kandel based on a 1967 novel by Henry Seymour.

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The film stars Jack Palance (Torture Garden), Diana Dors (Nothing But the Night; Theatre of Blood; From Beyond the Grave), Julie Ege (Legend of the 7 Golden Vampires; The Mutations), Hugh Griffith (Dr. Phibes Rises Again; Legend of the Werewolf), Trevor Howard (Persecution; The Unholy), Suzy Kendall (Torso), Michael Jayston (Dominique), Martin Potter (Satan’s Slave), David Warbeck (The Beyond).

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Plot teaser:

Psychotic London-based antique dealer Neal Mottram (Palance) sacrifices women to the statue of African god Chuku in the belief that it will help his ailing finances…

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Reviews:

‘So what’s left when one tries to watch Craze as a horror film are scenes of Jack Palance mugging, Jack Palance killing women, some very brightly coloured blood, and Jack Palance’s bare chest. That would leave the film barely watchable in a “point and laugh” sort of way, but for me, there’s something utterly irresistible about a film so desperately trying to be part of its time, and to be pop. I do doubt Francis or Cohen actually understood contemporary pop culture in the least, but that’s part of the fun of the whole affair.’ The Horror!?

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‘ …a badly made exploitation piece with zero production values and murky camerawork, only relieved by Palance’s reliably over-the-top performance and some bizarre cameos from illuminati like Dors (although as Jayston remarks at one point: “One would have to be pretty desperate to sail into that port”) and even Trevor Howard(!) as Superintendant Bellamy.’ British Horror Films

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‘A typically bad Herman Cohen movie that wastes the talents of director Freddie Francis and a good cast.’ Alan Frank, The Horror Film Handbook

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‘The film is a waste of everybody’s time – including yours if you are misguided enough to see it.’ Daily Express, May 1974

‘Cohen and Kandel’s one-dimensional storyline quickly grinds the film down to a series of murders interspersed with police procedural segments and eye-rolling monologues from the out-of-control Palance, the Greed is Good theme leading to an inevitable ‘final sacrifice’ moment…’ Harvey Fenton, Ten Years of Terror

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Cast:

WikipediaIMDb | Images thanks to Bookgasm | Viaje… a lo inesperado



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